“Rita Kernn-Larsen”

Six exhibitions to see in Venice during the Biennale

From 13 May to 26 November, a dense programme has been scheduled at Venice for the 57th Biennale. From Xavier Veilhan’s “Merzbau musical” to Mark Bradford’s social project, we take a little look at the openings not to miss. This year, the Venice Biennale is being steered by a Frenchwoman, Christine Macel, curator of the department of contemporary and prospective creation at the Centre Pompidou. The event’s theme, “Viva Arte Viva”, covers the capacity of artists to “invent their own universes” and “inject vitality into the world we live in”, in the words Paolo Baratta, president of the Venice Biennale foundation. This faith in art and the future is a deliberate choice on Baratta’s part after a beautiful but austere 2015 vintage, curated by Okwui Enwezor (“All the World’s Futures”). The Italian city will be welcoming numerous exhibitions and national pavilions simultaneously. Much to see, to hear, and to reflect on…   French Pavilion: a new-generation recording studio This year, the French Pavilion at the Venice Biennale is being overseen by Xavier Veilhan, and shouldered by curators Lionel Bovier (director of the MAMCO in Geneva) and Christian Marclay (artist and musician). Veilhan, as successor to Céleste Boursier-Mougenot, is setting up a project called “Merzbau musical” which plays on the volumes and decors of the French Pavilion’s space, drawing inspiration from a recording studio. The exhibition’s title is a nod to Kurt Schwitters whose “Merzbau” consisted of a habitable construction of variable dimensions, composed of salvaged objects. Schwitters’ project, initially intended to be named “Cathédrale de la misère érotique” (Cathedral of Erotic Misery), started in Hannover, then continued in Oslo and New York, throughout the artist’s life. In the French Pavilion, Xavier Veilhan places at the public’s disposal all types of musical instruments – some existing, others invented for the...

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