“OttO”

Laurent Grasso or vibrant Earth energy

As autumn gets underway, Laurent Grasso is returning to the Galerie Perrotin with “OttO”, an exhibition which reveals the mysteries of Aboriginal sacred land, through objects and a film going by the same name. The artist has shared with AMA the issues underlying his practice: between the visible and the invisible, the scientific and the sacred… A Steiner machine, sculptures in hypnotic forms, glass spheres… These are some of the different objects associated with Laurent Grasso’s new film, OttO,  now showing in France for the first time. In this work, the artist continues his work on representing the intangible, and his research on aesthetic, fictional and poetic variations on scientific mythologies, theories or utopias… Explanations follow.   Your new film OttO at the Galerie Perrotin was shot on the aboriginal sacred lands in Australia. What prompted your interest in this area? In 2016, I was invited by Mama Kataoka to take part in the 21st Biennale of Sydney, and planned to undertake a project for it in the Australian desert. I gathered material about aboriginal culture, their relationship to the cosmos and the invisible, in the earth’s imperceptible vibrations, of which they are the guardians. I decided to make a 21-minute film which has been the starting point of my exhibition at the gallery.   Your film OttO presents deserts accompanied by quite disturbing “music”. What exactly are these sounds? The title of this film refers to figures after whom the film and exhibition are named. “OttO” is Otto Jungarrayi Sims, a “traditional owner” (symbolic owner) of Aboriginal land in Australia, from the Yuendumu community, but also Winfried Otto Schumann, a German physicist who studied the Earth’s low-frequency resonances. As well as having the same first name, these two figures share an interest in the Earth’s magnetic energy that I tried to get with a high technology...

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