“Mathias Ary Jan”

Mathias Ary Jan or the art of reconquest

He’s young and (very) dynamic. And he’s also at the head of the most exclusive event of the back-to-school period. His mission is to bring new life to the Biennale, the paragon of taste and vigour. An hour with Mathias Ary Jan. The platform is international, the dialectic commercial. For its first edition (as a yearly event), La Biennale Paris shows a desire to leave old rivalries aside and to devote itself to new goals. Created under the sign of excellence, this twenty-ninth opus may well be the one that reconquers the public. This, in any case, is the priority of Mathias Ary Jan, a specialist in paintings from the end of the 19th century and the Orientalist school, now also president of the Syndicat National des Antiquaires. His strategy? Gathering around 5000 objects under the glass roof of the Grand Palais over eight days, according to new standards of rigour. A renewal, thus, for this upper-end rendezvous that remains the most chic event in the world of art. One where international collectors can (finally) get back on the track of big deals!   Despite its new yearly rhythm, the Biennale is preserving its name. Isn’t that a little strange? The Biennale traces a history. It’s also a name that, over the years, has become a brand. A brand that we wish to develop, a signature that we’re going to energise even more. So detaching the event from its name would have been, I think, a strategic error. While semantically, it’s no longer a biennale, strategically, the term remains well identified. It refers to a path, a history that started in 1956, and to which we’re very attached. And then again, isn’t the Paris-Dakar held in South America?   How would you describe this twenty-ninth edition in three words?...

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La Biennale Paris: The wind of renewal

A new formula for a historic fair. This year, La Biennale Paris is engaging in a rebirth that remains highly respectful of tradition. See it for yourself at the Grand Palais, until 17 September. The planet’s most elegant fair, riding on its heritage, opens up to new horizons. “Confidence, confidence, confidence!” This could be – if one were needed – the motto of this 29th edition of the Biennale, formerly known as the Biennale des Antiquaires, currently on at the Grand Palais until 17 September… And it’s not Christopher “Kip” Forbes, chairman of this new opus, who will say the contrary. “La Biennale Paris is the most important fair in its field in France, and one of the most important in the world,” claims the American billionaire who, this year, succeds Henri Loyrette, former president of the Louvre. “I’ll try to keep up the level of excellence established by my eminent predecessors and I hope to contribute to making this edition of the Biennale the most brilliant one to ever exist.” The stakes have been set… Will Christopher Forbes manage to meet them? Christopher Forbes, the ambassador of shockwaves By calling on a major figure from the art market this year, the Syndicat National des Antiquaires, the event’s organiser, has made the choice of competitiveness. In this milieu, Christopher Forbes is one of those people that we no longer introduce. Forbes is a name with a planetary resonance, associated with the eponymous magazine, one of the major US financial publications, known for its yearly ranking of the world’s greatest fortunes. The businessman’s renown already speaks in his favour. If we had to sum up Christopher Forbes’ profile, we could say that it more or less corresponds to that of the consummate artlover. After obtaining a degree in art history...

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