“Ideal Artist Houses”

Rens Lipsius’ Ideal Artist Houses

New York, Paris, Amsterdam… Rens Lipsius laid down the foundations of his Ideal Artist Houses concept by meeting up with artists like John Coplans and Dennis Oppenheim, collectors, or else simple art lovers. Lipsius, or the art of seeing art differently.   Since the 1980s, he’s come up with his Ideal Artist Houses, spread out over the United States, the Netherlands and France, each conceived as a “complete work” in itself. A one-time artistic director of the Fondation Icar in Paris, Rens Lipsius has a global vision of the art world, the market, and his influences. We retrace the story of this globetrotting painter who has followed an original itinerary.   How was your Ideal Artist Houses concept born? Rembrandt once said about the act of painting: “All it takes is to pick up a brush and to paint.” I partly agree with this idea, but there’s nothing straightforward about starting a painting! You have to get hold of the tools to stimulate yourself. And for me, this is about creating an environment, a context that promotes the creative act. Setting up a space that is physiologically adapted to one’s needs acts as encouragement to the eyes. And of course, the Ideal Artist Houses didn’t suddenly pop up.   Before devoting yourself to painting, you started out as a photographer. How did you make the transition from one form to the other? I embarked on a photography career at the age of 20, but painting was always present. Very early on, I felt that the subject that interested me most of all was light. Because both in photography and in painting, everything is about light. In photography, this is translated fairly directly by chemical sensitivity, whereas in painting, it’s a matter of interpreting this light. As a teenager, I already...

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