“Galerie Laure Roynette”

Through the wormhole

Journalist, art critic and former head editor of AMA, Clément Thibault is also an exhibition curator, currently presenting “Wormholes”… In other words, a two-part exhibition, jointly curated with Mathieu Weiler. Showing in Paris, at the Galerie Laure Roynette and at La Ruche.   After the fall of the Berlin Wall and the collapse of the USSR, our ideological system believed itself, for a time, to be victorious. The fact that some thinkers including Francis Fukuyama conceived that History had reached its end is a symptom of this stance. Of course, events would continue to occur, but the world’s march towards liberal and democratic consensus was underway and nothing more could stop it. It was the end of the dialectic of History, survived by a single immortal system. The new millennium on the horizon could only become a continuum. Nearly 30 years later, things have changed a great deal. Democratic systems are quivering, trembling, troubled by internal or external threats. Shaken by doubts that either produce inwardness (as incarnated by the virulent debate between nationalists and globalists) or openness. Critical openness, a questioning of values. Post-modernism had already started this task of re-examining History and art history, but with regard to modernism alone. Today, all hegemonic foundations of our culture are being challenged, some of them centuries old. Foundations of a culture that is Western in its focus, namely historical, capitalistic in its economy, bourgeois in its social character, white in terms of race, masculine in terms of its dominant sex. The artists at this double-exhibition, “Wormholes” (the first part at the Galerie Laure Roynette, the second at La Ruche), operate in this context. First things first: a wormhole, in physics, is a hypothetical object that links two distinct regions of space-time, a sort of shortcut between two dimensions. Poetically,...

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