“François Andes”

DDessin or how to re-enchant the world

She’s the founder of DDessin. She’s also co-artistic director of this fair whose line keeps getting stronger and clearer every year. An hour with Eve de Medeiros, tracing the contours of a passion. It’s a place conducive to intimate passions, a spot that stands a little way back from the buzz, ideal for celebrating the aesthetics of drawing lines. It’s a fair, or more precisely, a cabinet dedicated to contemporary drawings. Welcome to the fifth edition of DDessin, a yearly event that is being unveiled from 24 to 26 March under the glass ceiling of the Atelier Richelieu, at the heart of Paris. In other words, 700 m2 wholly dedicated to paper. So much to say that this rendezvous is both a springboard and a joyful venture for the artistic scene working with this medium. Ball-point pens, graphite powder, watercolours, markers, charcoal… Anything goes. And to avoid tripping over its pencils, Art Media Agency has turned its attention to one question: what is the nature of contemporary drawing, and what issues does it face today? How did you come to drawing? How, by chance or by curiosity, did paper win a place in your life? Through people I met. First, a collector of old drawings, the cofounder of the Salon du Dessin at the Palais de la Bourse, then contemporary-drawing collectors in the context of my duties at the FIAC, working on the Prix Marcel Duchamp. What is the role or maybe even objective of such an event, beyond its commercial setting? The primary role of this fair was to rethink something that seemed problematic to me: gallerists and artists from the young artistic scene only had very few opportunities to be presented on the walls of the existing and dominant fairs. This is why I created this event....

Tags: , , , , ,

Ad.