“Eva Wittocx”

FIAC 2017, elevating the fair to a fine art

Four days, 29 countries invited, 192 galleries and at least 70,000 visitors expected… Unfolding its 44th edition, the FIAC stands out, once again, as the major cultural event of this back-to-school period with the City of Light reflecting bright contemporary rays. FIAC lux! Has the FIAC finally hit on the right formula? After years of hesitations and oscillations between programme strategies as diverse as they’ve been varied, the event now seems to have found a recipe that suits not only the general public, but also collectors, art critics… and even professionals. All the while reconciling artistic quality and broad accessibility. Like every year, the event’s epicentre is under the nave of the Grand Palais, where the General section is on show, gathering the most prestigious galleries on the contemporary-art market. Namely one hundred or so brands, both French and international names, in a proportion which seems to be the norm for events of this type: one-quarter are locals, the others hail from overseas. But does the distinction make much of a difference these days in the upper-market sector, where Parisian boutiques look much like those in San Francisco? In total, two-thirds of the galleries present are European in origin, which at least serves as a reminder of the discreet yet weighty role played by the EU on the world stage of the art market. This year, the selection committee for exhibitors was composed of eight specialists, namely Olivier Antoine, Gisela Capitain, Mark Dickenson, David Fleiss, Solène Guillier, Jan Mot, Emmanuel Perrotin and Christophe Van de Weghe. Out of the 192 participants, 40 galleries are taking part in the FIAC for the first time, and six new countries are making their debut: Egypt, Kosovo, Norway, Portugal, Sweden and Tunisia. The cream of international galleries And then there are the faithful....

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